finalfortuna:

mayspicer:

princesszangiev:

coltercat:

The spoopiest part of this skeleton bird decoration is the complete lack of knowledge in basic skeletal anatomy

somebody please draw this creature with skin on because i think it would be horrifying because those are basically long fingers

well that was fun

Have fun in your nightmares, kids.
finalfortuna:

mayspicer:

princesszangiev:

coltercat:

The spoopiest part of this skeleton bird decoration is the complete lack of knowledge in basic skeletal anatomy

somebody please draw this creature with skin on because i think it would be horrifying because those are basically long fingers

well that was fun

Have fun in your nightmares, kids.

finalfortuna:

mayspicer:

princesszangiev:

coltercat:

The spoopiest part of this skeleton bird decoration is the complete lack of knowledge in basic skeletal anatomy

somebody please draw this creature with skin on because i think it would be horrifying because those are basically long fingers

well that was fun

Have fun in your nightmares, kids.

(via feelmyoats)

meanplastic:

me about to do a powerpoint presentation

meanplastic:

me about to do a powerpoint presentation

(via feelmyoats)

yoncevevo:

american horror story is back in 8 days

image

(via cockfabric)

"oh my god, you’re seriously going to pay college kids $15 an hour to flip burgers? get a real job!"

scenicroutes:

a real job? you mean, like, an internship at the white house?

image

okay, well what about the national democratic party?

image

what about interning at the united nations?

image

wow damn it’s almost like our economy functions on stealing labour from hardworking young people, regardless of whether their jobs are “real” or not

(via feelmyoats)

mcdonaldsstaff:

people who scream when they see their friends at school

image

(via hornyspice)


Meet The Robinsons

Meet The Robinsons

Meet The Robinsons

Meet The Robinsons

Meet The Robinsons

Meet The Robinsons

Meet The Robinsons

Meet The Robinsons

Meet The Robinsons

Meet The Robinsons
“I learned that people can easily forget that others are human.”
— "Prisoner" from the Stanford Prison Experiment (1971)

(via arieljaneholland)

star-loser:

everyone with a beard is a little bit gay this is scientific truth 

(via hipsterinatardis)

ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).

ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio

Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).

(via leavecraters)

madehimsaycomfychairs:

atelierevzimus:

continueplease:

konoto:

whatthefawxblogs:

dek-says-so:

cute-bird-dad:

cauda-pavonis:

pronouncedlab-eth:

lcheeseboy:

I was volunteering at a booksale when I ran across this and just…

Submitted to me by mrsrhettbutler

uh…those arms…you’re all thinking that, right…?

i feel like we’re all just kind of reblogging it in a circle and looking at each other uneasily like, waiting for someone to finally give in and yell it out in the reply chain

ROBO-DILDO.

you held out as long as you could, i’m sure.

Dildobot

Edward Dildo-arms

DOMO ARIGATO FISTO ROBOTO

I SPAT OUT MY WATER ON THE LAST COMMENT FUCK
madehimsaycomfychairs:

atelierevzimus:

continueplease:

konoto:

whatthefawxblogs:

dek-says-so:

cute-bird-dad:

cauda-pavonis:

pronouncedlab-eth:

lcheeseboy:

I was volunteering at a booksale when I ran across this and just…

Submitted to me by mrsrhettbutler

uh…those arms…you’re all thinking that, right…?

i feel like we’re all just kind of reblogging it in a circle and looking at each other uneasily like, waiting for someone to finally give in and yell it out in the reply chain

ROBO-DILDO.

you held out as long as you could, i’m sure.

Dildobot

Edward Dildo-arms

DOMO ARIGATO FISTO ROBOTO

I SPAT OUT MY WATER ON THE LAST COMMENT FUCK
madehimsaycomfychairs:

atelierevzimus:

continueplease:

konoto:

whatthefawxblogs:

dek-says-so:

cute-bird-dad:

cauda-pavonis:

pronouncedlab-eth:

lcheeseboy:

I was volunteering at a booksale when I ran across this and just…

Submitted to me by mrsrhettbutler

uh…those arms…you’re all thinking that, right…?

i feel like we’re all just kind of reblogging it in a circle and looking at each other uneasily like, waiting for someone to finally give in and yell it out in the reply chain

ROBO-DILDO.

you held out as long as you could, i’m sure.

Dildobot

Edward Dildo-arms

DOMO ARIGATO FISTO ROBOTO

I SPAT OUT MY WATER ON THE LAST COMMENT FUCK

madehimsaycomfychairs:

atelierevzimus:

continueplease:

konoto:

whatthefawxblogs:

dek-says-so:

cute-bird-dad:

cauda-pavonis:

pronouncedlab-eth:

lcheeseboy:

I was volunteering at a booksale when I ran across this and just…

Submitted to me by mrsrhettbutler

uh…those arms…you’re all thinking that, right…?

i feel like we’re all just kind of reblogging it in a circle and looking at each other uneasily like, waiting for someone to finally give in and yell it out in the reply chain

ROBO-DILDO.

you held out as long as you could, i’m sure.

Dildobot

Edward Dildo-arms

DOMO ARIGATO FISTO ROBOTO

I SPAT OUT MY WATER ON THE LAST COMMENT FUCK

(via mybiggaytumblog)